Category Archives: Chant

Collects Are Up

The Collects are up at the Liturgies of the Order of Julian of Norwich page. This completes the text I received entitled “The Divine Office according to the Use of the Order of Julian of Norwich.” I plan to add the Office Hymnal next in a format that will mesh with the Offices so that the whole set can be conveniently printed out (front-to-back ideally) and used with a minimum of book-juggling.

More Office Matters

Following Josh’s excellent advice I’ve added more clutter to my side-bar… Down below the “Pages” box is now a “Pray the Office Online” box that has links to a few of the best online Office sites I know. If there are others that should be up but aren’t, let me know.

Once again over at the Liturgies of the OJN page, Fr. John-Julian’s plainchant customary is up. It’s a brief guide on how to sing chant and I added a short bit about the pause (caesura) at the asterisk in the psalms.

Eight Plainsong Masses (OJN)

I now have posted eight plainsong masses that Fr. John-Julian arranged, setting the words of the Rite II BCP to medieval settings. Please feel free to not just reference these but to use them as well.

The graduals, sequence, and tracts mentioned on the title page coordinate with the old BCP calendar; with the change to the RCL they are now out of date. Replacements are in the works but will not be available for quite a while…

One hindrance to the use of the masses may be that they—like the other files on the page—are in square-note plainsong notation. While square-note is (and should be) considered normative for writing plainsong, it clearly requires a congregation familiar with it—and few these days are. If anyone has the software and capability to transcribe these masses into the modern form of stemless notation used in contemporary hymnals to write chant (like the material in the front service music section of the ’82 Hymnal), please do so that these masses may be more broadly used and known.

As far as use goes, this material (and everything else here) falls under the Creative Commons license that appears on my side bar: you can use it and adapt it but must give attribution to Fr. John-Julian and the order, and you can’t sell the material or your adaptation (without contacting the author and making arrangements). Given the nature of the material, if you do use it I think it would be only fitting to include a prayer for the order in your Prayers of the People as well…

OJN Liturgical Materials

Fr. John-Julian has graciously allowed me to post some of the Order of Julian of Norwich‘s liturgical materials on my Trial Liturgies page.

At the moment, I have put up the order’s Offices of the Dead (which also includes a procession) and their use for Benediction of the Blessed Sacrament.

There is much more great material–much of it freshly translated and arranged by Fr. John-Julian himself–to go up, but it will appear in bits and pieces due to my rather full current schedule. I’ll let you know as items appear.

Once again, my heartfelt thanks to Fr. John-Julian. Please keep the order in your prayers and, if you are able to do so, consider a contribution to assist them in their work.

Update: I’ve already changed things around… Upon reflection I decided that it would be more fitting for the Materials from OJN to have their own page since they really aren’t “trial” liturgies—they’re “actual” liturgies in continuous use. So, for these liturgies, please visit my new Liturgies of the Order of Julian of Norwich page. (I’ll try and transfer the pertinent comments there too but haven’t tried doing that before…)

Liber Usualis On-Line!!

Here’s a tender little-known fact from our courtship days lo these many years ago: the first big purchase that M and I made together–before we were married–was a Liber Usualis reprint from St. Bonaventure Publications. (That probably comes as little surprise to those who know us…)

I’m happy to pass on the news today via NLM that the CMAA is now offering the Liber as a complete PDF download.

What is the Liber, you ask? It’s a big collection of helpful and important plainchant settings for masses throughout the year and the Sunday Offices (and Lauds of Feasts) according to the Roman Use as of 1953. Here’s the technical details from the introduction:

This Edition with complete musical notation includes the following:
1. The Kyriale with Cantus ad libitum.
2. The Mass of the Sundays and Feasts including those of double rank throughout the year, with Vespers and Compline for the same.
3. Prime, Terce, Sext, None, for Sundays and Feasts of the First and Second Class.
4. Matins of Christmas, Easter, Pentecost, Corpus Christi; Lauds for Feasts of the First Class.
5. The Litanies: the Mass of Rogation Days, Ember Days, Easter and Whitsun weeks; the Vigils of Christmas, Epiphany and Whitsun.
6. The services of Ash Wednesday, the Triduum of Holy Week and Easter Day.
7. The principal Votive Masses and the Offices for the Dead.
In the beginning of the book will be found the Common Tones of the Mass and Office. Chants for special occasions, e. g. the Blessing of the Holy Oils, Ordinations, etc, are included in the Appendix.

If you do anything or have any interest in chant–you need this!! (And at this price, why not? :-D) It is, of course, in Latin with square notation but it has a fine English language introduction to the basics of chant and a full explanation and presentations of the 8+1 psalm tones.

While the Liber is very helpful for people doing research in medieval liturgy, I must warn you that anything you find here must be backed up by properly contemporary evidence as this really is the 1953 rite. For instance, its hymns are the hacked-up reformed versions promulgated by the Renaissance pope Clement VII.

Communio Project Completed

The communio is the music and texts appointed to be sung during the distribution of the Blessed Sacrament in the Roman Rite. The texts tend to be a combination of psalm texts and other parts of Scripture interwoven with one another. As such, they represent a classic form of interpretation through juxtaposition that is at the heart of the Western liturgical tradition of biblical interpretation. That is, the meaning of the biblical texts is neither declared nor forced upon the singers/hearers, but instead is coaxed forth by the apposition of two or more texts joined by context and experience.

NLM reports the final completion of a project of its mother organization, the Church Music Association of America, that I will reproduce in full:

The Communio Project of putting all communions with Psalms online is now finished. You can see them here. This the one place where you can find the music for the communion antiphon sung in the manner recommended by the General Instruction. They were typeset by chant master Richard Rice. At last, the full collection is available to the world for instant download and, we can hope, singing every Sunday forever more.

Do visit and check out these treasures. While they are listed for ease of convenience on the site in alphabetical order, the index file at the top shows their proper liturgical ordering. They are in Latin with the traditional square notation, but the scripture references are included and the second page contains an English translation of the text. I’ll offer one here in the spirit of the season.

Random Thoughts

  • bls had an interesting parish visit yesterday and thinks about the spread of “traditionalist-yet-welcoming” priests–specifically young women priests.
  • Speaking of young female “traditionalist-yet-welcoming” priests…M did some supply work yesterday at a parish in the area. (Did I mention “beautiful” in that list of attributes…?) It’s a very interesting parish; it’s a blend of long-time locals in what’s generously referred to as a “transitioned” neighborhood, some new people moving in with a revitalization initiative but the majority of the congregants are people with mental illness/special needs who live in nearby group homes. M had done spent a couple of months there several years ago and it was wonderful to see some of the faces and personalities I remember from that time. It was also wonderful to see M behind the pulpit and altar again (they have a nice east-wall altar but supply clergy don’t have the option of rearranging furniture) and to participate in a beautiful sung mass by some who takes the time to practice it beforehand…
  • Speaking of singing, looking at the Google click-throughs that have been directing people to the site, I think I may need to put up some resources on how to point various things for chanting and also something on Anglican chant.
  • I will also be putting up–as time allows–a page with some of the trial liturgies I’ve had here including the Anglican Offices of the Dead, a cleaned up version of my Anglican Lauds/Vespers (aka the commute liturgies), and an ordo for the standard BCP Offices. This one is my inspiration; while it presents a completely proper ordo that follows the intention of the Rite II service, I’ll post the version I use with Rite I that takes its cues from the 1662 book. It’s a version that tries to honor both the classical Anglican pattern while falling entirely within the rubrics of the current authorized American use. I’ll just warn you that time is rather limited; these may be a bit in coming…
  • If I had time, I might watch some movies… Two have come to my attention recently. The first is a review of “The Lives of Others” commended to us by Raspberry Rabbit. The other is, of course, Into Great Silence commended by quite a host of people including Caelius and, most recently, Anhaga of Old English in New York with whom I once sang Compline though neither of us knew it at the time…