Monthly Archives: January 2011

The Solidification of Sarum

Ok, back to Sarum and picking up Richard Pfaff’s The Liturgy in Medieval England where we left off at chapter 11 (“New Sarum and the spread of Sarum Use”).

Pfaff lays down at the start that, contrary to the previous block, we have a partial map for this period; while we have no secure starting place, we do have a more definite ending place:

Two hundred or so years later [after the change from Old Sarum to New with the new cathedral in 1225 and after], by the end of the fourteenth century, a high degree of both elaboration an standardization seems to have been reached, and the very full rubrics which reflect what we study as the New Ordinal are widely copied into missals. When books with unambiguous titles like Missale as usum insignis et praeclarae ecclesiae Sarum begin to be printed at the end of the fifteenth (the two earliest are 1487 and 1492), the relevant material from ordinals has been thoroughly incorporated into the text of the missal. (Pfaff, 365).

This chapter shoots to establish what picture we can establish around the year 1290. By this time, the cathedral has been established for well over a half-century, the main recognizably “Sarum” sanctoral occasions have been added to the kalendar, and we have some actual manuscript sources from which to work.

Richard Poore, dean of the Old Sarum cathedral from 1197 (succeeding his brother Herbert who had been elected bishop) later bishop of Chichester (1214-1217) then of Salisbury (1217-1237, again succeeding his brother), both shepherded the move to New Sarum directed in 1218 and appears to have been responsible for codifying the new practice in conjunction with his dean, William de Waude (precentor from 1218, dean 1220-1245).

In his tentative reconstruction of the period, after going through quite a bit of technical data, Pfaff sketches a helpful overview of the time from Old Sarum to the end of the fourteenth century and the Risby text printed by Frere. Old Sarum probably started out with a Gregorian + Young Gelasian missal like the Leofric missal with similar adaptations for a secular context. “The ordinary would likewise have contained no striking divergences in wording from that used elsewhere throughout the kingdom—or, for that matter, in most of western Europe—and would have been supplied with a minimum of ceremonial rubrics, if any at all” (Pfaff, 384). So—our starting place with Osmund and Old Sarum is what I’m used to from my early medieval days, a regular mixed missal and the Romano-German Pontifical for directions.

By the middle of the twelfth century, two changes occurred: a growth and formalization of the cathedral chapter (so, more folks and a more hierarchical arrangement of them [i.e., the “rulers” for the choir?]) and a revision of the massbooks at the cathedral containing more extensive and elaborate rubrics. Thus, in William de Waude’s 1220 visitation (before New Sarum, remember), he speaks of “new” massbooks and “old” massbooks reflecting the slow spread of the Old Sarum revision filtering into the parish churches of the diocese.

With the move to New Sarum and, consequently, new spaces and dedications to new saints, a revision of the Old Sarum revision was necessary. The completion of this revision and its attending customary and ordinal is what we now consider to be a distinctly identifiable “Sarum Use” and began to be referenced as such by the directives of other bishops.

This period should probably be brought to a close by the year 1319 in which the feast of the relics of Salisbury was officially changed; it had been on September 15th—not a good day as it’s the Octave of the Nativity of the BVM—and was changed to the Sunday after the Translation of Becket (July 7th). This shift will become a key litmus test later on for answering the “Sarum or Not” question.

So, at the end of this stage, our direct evidence are the missals printed by Legg, the Consuetudinary and the Ordinal printed by Frere (but not the Customary…), and the two mass ordinaries with some ceremonial directions in Legg’s Tracts on the Mass.

Pfaff’s next chapter looks at the work of Bishop Grandison of Exeter (1327-69) who uses and adapts Sarum for his own purposes and is quite interesting for how Sarum was used as a base from which to make further changes in the fourteenth century. It’s really cool stuff (for a liturgy geek) but not directly relevant to the over-all condensed Sarum story which is what I’m trying to present here. Thus, I’ll pick up next time with his chapter 13.

On ‘Allegorical’ Interpretation

I’m taking a quick break from Sarum to jot down some thoughts that I’ve been having after Dean Knisely’s post on study plans. He notes that he’d like to do some thinking about hermeneutics, particularly any native Anglican form of hermeneutics, and brings up the issue of pre-modern forms of reading that tend to loosely travel under the label of “allegorical.”

This is kinda my *thing*; it’s what my dissertation was on. (Actually, if he’s not careful, I’ll send him a copy of it…)

In pondering what resources I should refer him to, I think back to my fundamental findings and to discussions about basically all pre-modern forms of reading that I had with my dissertation director. One of the points that he made (fairly constantly) and that I found to be concretely true in my research is that too many who are interested in this topic completely miss the forest for the trees.

The problem is context. The great grand-daddy of the modern study of figural interpretation is Henri De Lubac who, living in a pre-Vatican II Roman Catholic world, writes with some unconscious assumptions about contexts that it seems never occur to him to make explicit. Most medievalists (Beryl Smalley, I’m looking at you…) are interested in “interpretation of the Bible” and, in pursuit of what they think their focus is, so narrow that focus to the point where the context fundamentally disappears or is regarded as a layer that gets in the way.

The danger that everybody likes to get hyper about is the fear that if you go down the allegorical road, you can make any text say anything. Suddenly, the unbinding of Lazarus is actually about the sacrament of confession; the injunction about not eating weasels in Deuteronomy is actually about 0ral s3x (no, seriously, and that’s one from the late first/early second century Epistle of Barnabas…). Thus, the chief question becomes: what are the controls? What prevents you from plowing into totally crazy, over-the-top readings?  Or, alternatively, how do we know when an OTT reading must be reined in? In a word, context.

Figural interpretation happens within a structure of communal liturgical practices. In the patristic and early medieval periods in particular, interpretation was done by people who were enmeshed in their community’s liturgical cycles and it’s these fundamental communal practices that gave them a grounding. Constant repetition of the Offices, and constant contact with the Mass, presented a daily repetition of the Christian core practices and beliefs: the Creeds—the Canticles—the Gloria—the Canon. This grounding, in turn, gave them a flexibility for play in both their interpretive and theological musings. The playing field was marked off by the creeds, the goal was the edification of the Church centered in charity, defined by Augustine as the cultivation of virtue and the restraint of vice.

(As a side-note, this is always one of the problems with many modern readings of medieval mystics.  You can be way more “out there” and have it not be a major threat to fundamental Christianity if it’s set within the grounding practices.)

The major change with Reformation biblical interpretation, I’d argue, is the jettisoning of the context. I think it could be argued that with the rise of the Schoolmen, the mendicant orders, and the turn into Nominalism the liturgical context had already lost its important restraining function making it appear to the Reformers that they were pruning away the bad rather than losing a key component. Nevertheless, that’s what happened. Suddenly biblical interpretation was not and could not be an act of play. It was serious business. Without the grounding practices of Mass and Office, how each text was read suddenly mattered a lot more because the interpretive act was transformed into the grounding practice of the faith.

So—the liturgy was the context. But that’s not all. Particularly in the early medieval church and most especially in my world of the early medieval monastics, the liturgy was not simply the guiding context but was the fundamental tool through which Christians were inculturated into the hermeneutics of the Church. They learned to read through the liturgy.

On one hand, this is a literal truth: new monks or child oblates learned how to read through the memorization of the Latin psalter, then learning to match the words on the page with the texts they already had in their heads. They literally learned how to read from reading the liturgy. On the other hand, they also learned how to interpret the Bible from the liturgy and this happened in two ways, the first explicit, the second not so explicit. The explicit is that readings from the Fathers in the third nocturn of the Night Office gave them examples. They learned to interpret through what they heard and what was modeled for them by the patristic teachers every Sunday and feast day in the early morning.  And again at Chapter. And again at Mass. The not-so-explicit is the way that the liturgy introduces under-determined interpretive possibilities through the use of scriptural antiphons and responsories in the Mass and Office. When an antiphon taken from the Gospel of the Day is appended to the Magnificat it makes you hear it in a new way, as you are using  new lens. When a Pauline snippet is paired with a psalm, the mind begins working at it to find what the implied logical connection must be between the two. The hymns held together Scripture and Season for mutual reflection. (As it happens, the first paper I gave at the big medievalist meeting in Kalamazoo was on this topic. I’ll try and put it up on Scribd for those who are following me there.)

So—where does all of this bring us? Back to the notion of a distinctively Anglican way of reading and interpreting the Scriptures. Is there one? Maybe… Is there the potential for one? Most certainly, because we of all of the Western Non-Roman ecclesial bodies have retained in theory that which was most important in the heyday of figural reading: the Mass and the Office.

What we have to realize, though, is that our Mass and Office is not theirs. While we have inherited the structures of the early medieval pattern, we have deliberately shorn ours of the richness through which catholic biblical interpretation was learned. We have no appointed patristic readings into which we are formed. We have no cycle of antiphons and responsories  that shape our readings. We have divested our Mass of the minor propers that complemented and guided the public proclamation of the Word.

Sure, I’d like to recover these things. That’s one of the key reasons why the St Bede’s Breviary puts back into place traditional or traditionally-shaped patterns of antiphons and the old Office hymns. But can we recover them? I honestly don’t know and I honestly fear not. We have a hard enough time getting people to come to Mass on Sundays let alone Holy Days that don’t fall then. (Epiphany, anyone?) Our clergy lac a familiarity with the Office, let alone those upon whom they—and we—are relying for our biblical interpretation.

I don’t know.

I’d like to hold up the old model as the possibility for a vibrant new model—I just fear that we lack both the will and the discipline to make into what it could be.

Editing Sarum: 19th Century Scholarship on Sarum Materials

Before we continue much further in the discussion of Sarum history, we need to take a quick survey of the texts themselves. The key issue, of course, is that most interested parties approach the Sarum materials not through the manuscripts but through the printed editions. Most of these were done in the latter half of the nineteenth century by British Anglican scholars with an agenda, but that doesn’t suggest that the scholarship is faulty—it simply means that we ought to be aware that the agenda exists. In this post we’ll consider the Latin texts. English-language editions are part of the later story which we’ll save till then…

Mass Texts (in order of publication)

  • F. H. Dickson, Missale ad usum insignis et praeclara ecclesia Sarum: Published in fascicles from 1861 through 1885, this was the first attempt to print the Latin text of the Sarum Missal. Perhaps ironically, it printed the latest representatives of the Sarum Use—Dickson used no manuscripts for his text, but instead relies upon the printed Sarum Missals (Pfaff notes 47 printings between 1487 and 1534 with an additional six during the Marian restoration). Thus, Dickson’s text represents the full-blown Sarum Use as it appeared just before the development of the Prayer Book.
  • W. G. Henderson, Processionale ad usum insignis ac praeclara ecclesia Sarum: From 1882, this is an edition of the processions and various texts associated with them that supplement the missal. Henderson edited these from several sources, most notably two printed editions: the first printed edition from 1508 and the second done in 1517. He says concerning that these two “appear to be clearly the most correct, and fortunately they are quite independent of each other” (Henderson, vi). I’m not sure here what “quite independent” means, not having perused the text, but it does give one pause! He’d also done some partial collations with later printed editions and with three manuscripts, a 14th century, and early 15th, and a late 15th. 
  • W. H. Frere, Graduale Sarisburiense: a Reproduction in Facsimile of a Manuscript of the Thirteenth Century [No download due to a 1966 reprint]: First published in 1894, this is a gradual rather than a missal but makes reference to the “missing” missal parts. Based on the evidence it becomes clear that it is a very early manuscript—between 1203 and 1220—and the missal with which it is partnered both pre-dates New Sarum and contains references to a pre-New Sarum customary.
  • W. H. Frere, The Use of Sarum: The Original Texts Edited from the Manuscripts (vol 1); The Use of Sarum: The Original Texts Edited from the Manuscripts (vol 2): The first volume came out in 1898, the second in 1901. When the term “Sarum” is generally used in liturgical circles, the reference cannot fail to include this book whether directly or indirectly. What Frere gives us in these two volumes is the Sarum “rules of the road.” This work is both important enough and complicated enough to be discussed below in broader detail.
  • J. W. Legg, Tracts on the Mass: Published in 1904 as volume 27 of the Henry Bradshaw Society, this book is a compilation of a number of ordinaries with ceremonial directions for Mass that Legg had collected. There are some French and Dominican materials here along with English texts. The key Sarum items include a 14th century Ordinary (from the Morris Missal), a list of manuscript Sarum Missals known at that time,  and—at the very end—the 13th century ordinary from the Crawford Missal. These will be discussed below especially in relation to Frere’s Use of Sarum.
  • J. W. Legg, The Sarum Missal, edited from Three Early Manuscripts: Published in 1916, this is the first collated edition based on the earliest manuscripts of the Sarum Missal. Legg’s base text is the Crawford Missal, the earliest complete Sarum manuscript. The other two are from just before and just after 1300. So, published thirty years later, this edition reflects the state of the Sarum missal some two hundred years before what is printed in Dickson. Nevertheless, the evidence it gives is past the period of “beginnings” and is after the establishment of the cathedral at New Sarum. It can’t tell us about the origins of the Sarum Rite, but does provide witness for its practice in the High Middle Ages.

First, note the dates on the missal publications: the historically later missals were printed first, the historically earlier ones were printed last. The latter point is perhaps the most important as it means that all of the compilation of the customaries and ordinaries were not done with ready reference to the earliest forms of the text. This may, in part, explain some of the confusion since there was indeed confusion…

Second,  Frere’s Use of Sarum is a key book that requires closer examination. Pfaff notes that it “is almost impenetrably difficult to use” (Pfaff, 373). [I’m glad he said this—I thought it was just me!] The two volumes contain four main texts which Frere entitles the Consuetudinary, the Customary, the Ordinal, and the Tonary. The Tonary is the simplest—it gives the psalm/canticle tones. The next three are more complicated. Frere explains the difference this way: “…the Ordinal defines the character, contents, and method of the Services while the consuetudinary defines the persons who are to conduct them; in other words, the Ordinal deals with the Rite, and the Consuetudinary with the Ceremonial” (Frere, II.vii). That’s clear enough. However, Frere attempts to describe the Customary as an intermediate term between the two:

The Customary seems to be based entirely on the Consuetudinary; . . . to this there are joined some further additions not drawn from the Consuetudinary, which may be taken either as ‘general rubrics’ and therefore supplementary to the Ordinal, or as additional liturgical customs and therefore supplementary to the Consuetudinary. The Customary is thus a link between the two. (Frere, I.xi-xii)

There are two problems here. The first is, according to Pfaff, the Consuetudinary and the Customary are properly differentiated by time and not by genre. The Customary is later than the Consuetudinary. The second, is that Frere has committed contextual damage with his arrangement: the base texts of both the Ordinal and the Consuetudinary come from the same manuscript. Here’s Pfaff to clear things up:

What is printed on pages 1-207 of [Frere’s] second volume as “Ordinale Sarum” is, with very considerable elisions, the Risby ordinal (BL Harley 1001) text—without folio references. In that manuscript folios 1-83 contain the office ordinal, 84-116 that for the mass, and 117-55 the consuetudinary (as described above). So in printing the first two sections of this manuscript in his volume II and the third in volume I Frere has split his main witness: one which, though apparently the earliest surviving of its kind, was in any case written in the early fourteenth century, several decades into the story we are trying to trace here, and belonging to a parish church in Suffolk, a long way from Salisbury. (Pfaff, 374)

So, at the end of the day, Pfaff dates the roots of the consuetudinary to the last period of Old Sarum, between 1173 and before 1220, but finds the Risby Ordinal to be from about a century later as it “represents practices codified for the new cathedral” (Pfaff, 376).  The point here isn’t to try and pick up the historical narrative again, rather it’s to show the complicated and convoluted state of the sources as we have received them and which we’re still in the process of trying to figure out despite more than a century of additional work since these first editions were made.

Now it’s time to turn to the “Ordinal” for a second (remember, the ordinal is how to fit the service books together, not the ceremonial) . We begin with Pfaff’s emphatic statement: “no manuscript witness to what can fairly be characterized as a Sarum ordinal dates from earlier than the fourteenth century” (Pfaff, 379). The two items in Legg’s Tracts on the Mass supplement what appears in Frere’s volume II and reveal some further differences in the evolution of the Rite. The most important is the fact that Legg’s ordinal from the Crawford Missal has some minor differences from what is preserved in the Risby text. Pfaff concludes from these that “it is plain that the missal with which the Risby rubrics correspond is of a strain somewhat independent of the three edited or collated by Legg” (Pfaff, 380). The pay-off is that, once again, the evidence and therefore the Sarum story is more complicated than it may first appear.

The next issue is that Frere prints only the “Old Ordinal” and not the “New Ordinal” on the grounds that the New Ordinal is the text incorporated into the later printed missals and, since they have been reproduced so many times, they are not worth collating and printing together. The real shame here is when we realize (by way of Pfaff’s comments, of course [414]) that the New Ordinal is the Ordinal text in the four sources from which Frere edited his “Customary”; the Customary and the New Ordinal are complimentary documents but we’re unable to view them that way in Frere’s text!

Office Texts

To clarify just how useful these printed editions are to bringing order to the wild world of Sarum breviaries, I’ll turn it over entirely to Pfaff:

With few exceptions, it is next to impossible to state exactly what the totality of the Sarum office is for any specific day. [While the structure is fairly stable, the rubrics, contents, and texts themselves show an increasing state of flux.] In short, anything like a critical edition, in the sense of one which establishes a base text and records variants from it, is with the breviaries that concern us almost a contradiction in terms. (Pfaff, 429).

With a situation like this, the need for something like Maydeston becomes that much more important since in his day the clergy were working from these manuscripts rather than printed versions.

So—to summarize as briefly as possible, the access to Sarum Mass materials are in a far better state than the Office. We have printed versions that shed light on both our earliest surviving (Legg) and latest (Dickson) missals. On the Office side, there is one major representative(Procter and Wordsworth) which is just that—representative—and which can not and should not be regarded as “The” Sarum Office but an example of “A” late Sarum Breviary.

Breviary FYI

The breviary is having a rocky couple of days. This is the first year-transition since the new date calculation system has been installed and the inevitable errors are occurring, in part due to the odd way the BCP does the days between Christmas and the first Sunday after Epiphany.

We currently have readings but no collect; I’m working on getting it back…

Things seem to be functioning now.

On The Sarum Rite: Beginnings

Let me begin with a disclaimer… My area of study is, broadly, the lived interpretation of the New Testament as it appears in preaching, Christian formation, and liturgy. While I have an interest and a certain expertise in medieval liturgy, my major encounter with the sources has focused on English, pre-Conquest monastic liturgies with a special focus on the Office (and, naturally, later Anglican develo0pments). Most of the following discussion will be about the Sarum Rite/Use (we’ll tackle that “/” later) which is an English post-Conquest secular tradition, largely focused around the Mass. Thus, my tendency is to read the later sources through what I know of the earlier sources rather than the other way around.

Indeed, one of the things I’ve never fully understood about the Sarum Rite is where it came from and how it differs from the pre-Conquest missals that I’ve studied. That is, from the texts of the missals themselves (i.e., leaving aside the complicated questions of ceremonial), what emerges at Trent doesn’t seem all that different from a book like the Missal of Robert of Jumieges, the central exemplar of the Late Anglo-Saxon Benedictine Revival. Where do the differences appear that make “Sarum” distinctive from both its English precursors and its later continental parallels?

That’s precisely where Richard Pfaff starts in Chapter 10 of The Liturgy of Medieval England: A History which is entitled “Old Sarum: The beginnings of Sarum Use.” I’m not going to follow his argument closely for the sake of clarity, but here are some of the major take-aways that I found in this chapter.

First, it’s important to keep at the forefront of our minds that such a thing as the “Sarum Use” is a synthetic abstraction. We can’t imagine people all across Southern England using the same colors, ceremonial, practices, and liturgies in lock-step with one another. Economics, technology, and local circumstances make this impossible. That is, you can’t imagine that a little parish church had the same vestments, participants, and space that the cathedral at Salisbury did. A wealthy church would have more vestments and, presumably, more and newer books than a poorer one. Furthermore, churches dedicated to certain saints or containing certain relics would need different liturgies from others. Just because a Salisbury altar consecrated to a certain saint received a special liturgy wouldn’t mean that liturgy would be performed in another church without such an altar. So, what is “Sarum” is defined as a set of customs and characteristics that generally hold among a set of practices and books. And then there’s the factor of how these items change or don’t change over time which is an entirely other can of worms…

Second, (speaking of time) it’s important to recognize the effects of both time and liturgical space in attempting to wrap our heads around Sarum practice. Strictly and narrowly defined, “Sarum” refers to the books and practices of the Salisbury diocese as archetypically represented in the books and practices of the cathedral of said diocese. And that’s a moving target. In one of the main synthetic narratives of what Sarum is and isn’t is the suggestion that Sarum Use in its totality—books, rubrics, colors, vestments, what have you—was codified by one guy, Richard Poore, at one time, 1225, at one place, Salisbury Cathedral. Unfortunately, as Pfaff lays out, it doesn’t work like that; this simplistic narrative simply can’t account for the actual historical evidence.

There are some important factors in terms of time and place, however. Generally speaking, the Norman Conquest of England from 1066 on was a turning point. While Norman influence had been building in the second quarter of the eleventh century, William the Bastard brought a sea change in the way church establishment was done from the Late Anglo-Saxon ways. At the end of my period, the Benedictine Revival (970 and forward) had seen the transformation of cathedrals into monastic rather than secular foundations. So—all the clergy hanging around were monks rather than canons. With the Conquest there were literal “see” changes; diocesan centers were moved to different towns within their territory and Norman churchmen usually replaced the previous Anglo-Saxon incumbents.

(Think of state capitals on the eastern seaboard of the US—most of them are, now days—fairly minor cities within their states; population and business centers have shifted over the years. Same thing there. The centers of old Anglo-Saxon diocese didn’t meet the needs and geography of the new Norman realm so they were moved to fit the new landscape.)

Also, the Norman churchmen returned to the more normal pattern of having secular canons at cathedrals rather than monks.

Thus, the old Anglo-Saxon diocese had its cathedral at Sherborne with a monastic community. After the Conquest, the see was moved to Old Sarum around 1075 and established with canons. Then, the see was moved to its present location at Salisbury (New Sarum) in around 1225. What we consider Sarum was finalized in the new cathedral but was begun beforehand at Old Sarum.

Third, in terms of the change from the Anglo-Saxon materials into Sarum materials we can see three major influences. One is monastic. Despite the move away from Sherborne and the establishment of canons, there may be what Pfaff calls a “shadowy” monastic influence particularly in the ceremonial going by the testimony of English additions to a Old Sarum copy of the Romano-German Pontifical (the major ceremonial guide used by the early medieval church). The second is the establishment of canons themselves. A set number of priests meant something both for how many participants there could be in liturgy and how many altars the church could have. Last is the example of Leofric C. The Leofric Missal is one from my period which contains three distinctive parts, A, B, and C. A and B are earlier monastic Anglo-Saxon/Breton texts. Leofric C reflects the efforts of Leofric, Bishop of Exeter, and his updating of the book to reflect his secular situation. Something similar must have happened with the Sherborne/Old Sarum liturgies—we just have no evidence of what they started with and exactly what happened when.

What we can say is that distinctively Sarum saints and rubrics appear in the Sarum gradual from between 1200 and 1220, but the earliest surviving missal, the Crawford Missal) is from sometime around 1275 or so. Furthermore, the earliest reference to a Sarum customary also seems to predate both the foundation of Salisbury Cathedral and our oldest missal. Thus, Pfaff concludes the chapter with “this tentative, simple, and indeed obvious conclusion: that there existed a self-conscious Sarum liturgical tradition well before either the new cathedral at Salisbury was begun in 1220 or the ‘Old’ Sarum ordinal was drawn up” (Pfaff, 364).

Home Again, Home Again…

Hi y’all, I’m back from Christmas vacations to the in-laws, then a few day in Williamsburg with the family. I have a fair amount of email to be attended to, correspondence returned, changes to be made to the breviary and,—hopefully—topics commented upon here. Of course, duties at home and work compete with the online list so we’ll see how much I get to…

In particular, in this run up to the American Sarum conference, I’m hoping to do some posts to consolidate my thoughts prior to the conference. One of the gracious gifts from my in-laws was Richard Pfaff’s The Liturgy in Medieval England: A History. I’ve read through the chapters on the Sarum materials and am hoping to get something written up concerning his take on the promise and problems of Sarum. I also received a Kindle from my beloved M and, given my extremely limited computer time so far, have been wrestling with the issue of how to get my collection of liturgical PDFs converted into a format that the Kindle can read most effectively. In particular, I’m at work on the 7th edition of Blessed Percy’s Parson’s Handbook in advance of the conference.

So, I hope you all are having a Merry Christmas season and a wonderful Feast of the Holy Name!