Category Archives: Liturgy

Books and Beauty: Liturgical Layout

Over at the New Liturgical Movement, the editor Shawn Tribe has written an interesting piece proposing a set of guiding principles for missal layout coinciding with the new Roman translation of the Novus Ordo mass.

Upon seeing the article, I was immediately reminded of the words of Percy Dearmer on the subject of liturgical books and layout which are well worth repeating in full:

It is an established convention that the books associated with religious worship shall be not only bound in black or at best in dingy colours, but shall be printed and arranged in the most repellent manner. It is almost impossible to procure Bibles and Prayer Books printed in good type and arranged in the best way, as other books are arranged. Occasionally well-bound copies are given as presents — thirty years ago they were still dismal, however great their cost, though today they are brighter outside — but when you open these expensive copies, the same ugly typography meets your eye. Now a publisher who issued a new book in such type, chopped it up into short verses, sprinkled it with unemphasized words in italics, arranged it in narrow columns with cramped margins, spaced the verse as if it were prose, eschewed quotation marks in his dialogue, and finally encased the whole in cheap black cloth — such a publisher would be bankrupt in a year. However good his books, people simply would not read them. (Art of Public Worship, 33.)

Dearmer called for beautiful books that would be worthy of and properly honor (honour?) both the words that they conveyed and the dignity of public worship for which they were intended.

Apart from a few fits and starts in this direction, not many folks have heeded him… (The outstanding outliers in this case were the English printer Pickering and the American Daniel Updike. [Corrected per comments!] For more on this topic see Martin Hunter’s essay “Prayer Books and Printers” in The Oxford Guide to the BCP.)

C’mon folks! In this age of computer printing and graphic work there is absolutely no reason why liturgical works cannot be beautiful! Indeed, care and beauty on the front end can make a well thought-through and designed book more functional than an ugly one!

I have seen in draft a missal for the monastics, oblates, and friends of the Order of Julian of Norwich which holds great promise in this regard, but these sorts of works should be the rule—not the exception.

bls: Liturgy, Anglo-Catholics, and the Episcopal Situation

bls has a nice rant up at her place that strikes some real chords with me. Here are a few things that jump out at me and how I’d address them:

The Episcopal Church is mad for “liturgy.”  Over the top, really – that’s all we ever hear about, in fact.  “Liturgy” this and “liturgy” that – everything seems to be about the parade and the pageantry.

Now, listen:  I, like every Episcopalian, love a parade, and I do like pageantry.  I love incense and chant and the whole drama.  But I think in many ways this focus on “liturgy” is just a way of avoiding talking about content.

. . .

I would identify as an “Anglo-Catholic,” I think, generally speaking – on the basis of “liturgy.”  That stuff really speaks to me – the smoke, the chant, the statuary, the movements, the reverence.  I like it.  I was rendered literally speechless – kind of choked in the throat, and not from the smoke – when I first saw it.  And I agree that all this was meant to express a certain point of view – but I do wonder what, actually, the actual content is, at this point.

Ok—The way that I would say it is this: Despite what many people think, liturgy is not a means for avoiding content, rather, it’s a means for performing and embodying content. But that doesn’t mean that 1) we’re doing the liturgy well, 2) we’re doing the liturgy in such a way that lets the content speak, or 3) that those who know better are helping everyone else connect the dots. As she and I have discussed before, liturgy is a major key to all of this—but liturgy is not enough. I’ve repeatedly said about biblical interpretation, the act of interpretation has not been completed until someone’s habits have changed. It’s not enough to read the Scriptures. It’s not enough to come to an understanding. If there isn’t a lived change in your attitude to God, creation, and humanity, then you haven’t finished the job.

I’d say that the same is true of liturgy.

If your experience of God and your relationship with creation and your fellow creatures is not in the process of being transformed on the basis of what’s happening in the liturgy, something is not happening correctly. Process is important here—liturgical formation is a process not an event, and occasional periods of back-sliding is an inevitable part of the process, but if forward progress into love and virtue is not occurring when measured over a period of years, then something is off.

Liturgy is a means of embodying content. And there’s content there a-plenty: the creeds, the narrative of our failures and God’s constancy in the Eucharistic canons, intercession as a way of drawing the whole world into our view as part & parcel of our relationship with the divine, etc. But we’ve got to do the work to connect the dots and between what we do in worship, how this relates to what we believe, and how this changes how we act.

This means that people like me aren’t doing our job to the best of our abilities. We know how these things are supposed to fit together, and aren’t being as effective as we can be about communicating it!

Again from bls:

So I have to ask again: what is the content of our faith? Well, we don’t generally say, I think because we’ve been worried for a long time about offending people. But, as St. Paul has said pretty plainly: Christianity is offensive. There’s no getting around that; we’re not going to convince people that it’s of value by making it seem attractive or elegant or whatever the adjective happens to be. It’s offensive – so we’d better start talking about why that’s a good thing – why it’s a necessary thing – I’d say.  And that means talking about content. (Listen: I myself am living proof of the idea that seeing and recognizing this “offensiveness” can lead to conversion! I’m sure I’m not alone.)

bls had this question up on her blog earlier and not many were willing to tackle it. The question was, how, in brief, to describe the purpose of the church to a non-believer without using churchy language. This was my go at it:

The point of the church is to bring the whole human family to acknowledge reality: that love is at the center of all that is, has been, and will be, (as revealed in perplexing particularity by Jesus, his self-sacrifice, and love’s inability to stay dead [which we call resurrection]) and that our greatest task on earth is to conform ourselves, our community, and our society to the virtues of love, compassion, and justice.

What we as religions and churches tend to argue about is precisely how we define “love” and how we order our lives and societies to best reflect how we understand those virtues.

(Readers of Evelyn Underhill will note a certain similarity here to what she writes in Practical Mysticism.)

Again from bls:

Those who’ve rejected Christianity are, in my experience, rejecting two things:

  1. The authoritarianism and hostility to reform of the Roman Catholic Church.
  2. Brain-dead evangelicalism.

But at least the RCC has tried to make a case.  As I’ve said quite often before:  I have RCC Catechism envy.   I admire the massive intellectual tradition of the RCC, and its appeal to reason; it’s very unfortunate that all that has come along hand-in-hand with claims of “infallibility” and the authoritarian tendency.  (By contrast, our feeble Catechism in the back of the 1979 Prayer Book is nothing except embarrassing, at least to me.  More of a problem:  it once again assumes prior acceptance of Christian claims.  It has nothing to offer anybody who doesn’t already accept the basic claims of Christianity – and it doesn’t offer anything really interesting even in that case.  “An outward and visible sign of an inward and spiritual grace”?  OK – but could you please say a little something about these “inward and spiritual graces” that connects our minds with our hearts and souls, instead of just offering bland doctrinal summaries? Apparently we have nothing very deep or interesting too say on the topic, which is mighty sad.)

We need to make a case.  Reformed Protestantism – it seems to me – speaks to the individual modern human psyche, in all its alienation and anxiety.  It does have something important to say – but our case can’t be predicated on Biblical literalism or shallow, “personal salvation.”  It can’t assume facts not in evidence; it must make an argument.

And, actually, I’d tie this line of questioning in with the whole set of questions around Anglo-Catholicism:

I would identify as an “Anglo-Catholic,” I think, generally speaking – on the basis of “liturgy.”  . . .  And I agree that all this was meant to express a certain point of view – but I do wonder what, actually, the actual content is, at this point. . . . And there’s no particular clue in that article, titled “What Is An ‘Anglo-Catholic’ Parish,” about anything else we might regard as content.  It’s all about form:  historical events and counter-reactions, and “ecclesiology” and “how we do things” – i.e., “liturgy.”

I have to believe that one of the major issues here is that Episcopalians who are Anglo-Catholic are going to have a different understanding about the core content of the faith than other Episcopalians. But what and why? There have been a lot of the shifts in the past few years. Many of those who identify as Anglo-Catholic have left and those of us who are still here have yet to take stock and claim our identity. We need to do it clearly and publicly. Most Episcopalians still think of us as “those people who like incense and Mary and closets and who don’t like women.” Is that who we are? If not, then who and what are we? I have some ideas but am still working them out.

I do believe that the Society of Catholic Priests is a good start in this regard. But I think we also need a lay movement that can provide an active and vocal presence to church discussions. What would/could/should this look like?

Again, bls:

We need to make a case.  “Mystery” and “mystification” are two completely different things; we really can retain the former and eliminate the latter, I believe.

Absolutely! The fact that God, the communion of the saints, the sacraments, resurrection life etc. are mysteries to be inhabited doesn’t mean that it’s ok to keep everything nebulous or to use those mysteries as an excuse for fuzzy thinking.

We do have things to offer – but we’re not saying anything that’s very interesting to anybody not already interested!   (And sometimes not even to those of us who are, when you get right down to it.  I mean, when we’re not talking about “liturgy” we’re talking about partisan politics – both of which get my eyes to glazing over these days.)

But the Gospel is very interesting – it’s speaking to some of the most basic facts about living life as a human being on earth – and we just can’t let the opportunity to talk about it go to waste.

I agree entirely!

New Cafe Post: Christ Church Posters

I have a new post up at the Café. It’s on the Christ Church posters that have been floating around Facebook. The creator is a friend of mine, Fr. Robert Hendrickson, who was part of the team who got the American branch of the Society of Catholic Priests up and going. He graciously allowed me to showcase his work because–as I say in the piece–I think they do such a good job of encapsulating a parish ethos.

And, as I see it, this is the kind of ethos that the SCP is trying to foster and that the Episcopal Church needs more of.

Robert has a blog as well and reflects on the posters in these two posts: Worship like it’s 1099 and Christ Church Posters.

Liturgical Naming of Spiritual Communities

Our creeds tell us that we believe in “the communion of saints.”

Our Eucharists tell us that, in the consecratory act we are “joining our voices with Angels and Archangels and with all the company of heaven.”

These are important but rather non-specific ways of talking about our larger eccesiology. These two statements remind us that when we gather in the church on a Sunday morning (or other times) for a Eucharist there are more who gather than we see; our “we” and “us” are not simply limited to those physically and visibly present.

The Rite I Post-Communion Prayer may say it best: “we are very members incorporate in the mystical body of thy Son, the blessed company of all faithful people…”

Now—“all faithful people” has a pretty wide scope. This helps break open the sense that we are more than the folks in this room, but almost broadens the scope to near incomprehension, not leaving us much better than we were to begin with.

How do we get a concrete sense of who these people are?

The central place where we get a picture of this in an Anglican environment is the church kalendar. Specifying people to be liturgically celebrated in Mass, the Offices, or both, is our primary vehicle for naming the company who surrounds us and joins us when we gather for worship.

In most of the Anglo-Catholic places I’ve been, a litany of the saints is chanted during the procession to the font during the rite of Baptism which seems a particularly appropriate time to be naming the saints who surround us and who have preceded it into the Body of Christ.

In both the kalendar and the litany, the church never claims—should never claim—that its lists are exhaustive. Rather, they are representational. They indicate a tiny fraction of this great host—just enough for us to get a sense of what kind of people inhabit our spiritual community. Furthermore, the Commons of the saints present us with helpful categories for grouping and conceptualize those who are in this company.

So—to summarize—the liturgy’s construction of the sanctoral cycle and sanctoral categories performs a valuable function in terms of giving us a tangible, comprehensible sense of who the church is.

More on this to follow…

SCP Presentation: Theology & Action in the Liturgy

[Note to the reader: This is the text of an oral presentation. Thus, there are no footnotes and the language is informal. The bold and the italics indicate some but not all of the things that I would emphasize verbally.]

 First, let me start off by thanking you for this opportunity to come back and speak to you. I really enjoyed being able to speak to you last year and am honored to come back and speak with you again. So—my thanks to Fr. Cobb, Fr. Hendrickson, and the other folks who were in on inviting me back.

When I was chatting with Father Cramer about this whole topic of the theological implications of liturgical ceremonial, he said: “Great, I’d love to hear something more about that, because I really hate it when people say to me things like, ‘When are we going to stop talking about copes and start talking about real ministry?’” The implication that you hear often times in our church is that ceremonial is something extra, it’s an add-on, it’s additional frippery, and is fundamentally something that can divert us from the work of real ministry. As a result we have to begin with the question of “what exactly is real ministry.” What is our purpose here? What is it that we are trying to accomplish in our work as clergy? Then once we have a sense of that, we can move on to the question of where copes and liturgies and ceremonial fit into the true work of ministry.

This is a really big topic to tackle. We’re only going to able to make a start on it. We’re not even going to be able to get to the “meaning” questions. Instead what I’m going to do is talk a bit about a theoretical framework that gives us a starting point: why all of this stuff matters, then make a practical turn and begin a conversation about only two of the many implications that this framework offers us. And it all starts with this basic question: what is real ministry?

The simplest answer about the work of real ministry has to be this: Proclaiming the good news of what God has done for us in Jesus Christ. That is the real work of ministry. Now, that’s a pretty broad mandate. So how do we do this? We could attack this question by looking at all the specific activities the clergy do. However, I think a better direction is to get a sense of the big picture first. As I said last time I was with you, for me the center of our task is described in Ephesians chapter 4. Our purpose is to:

…equip the saints for the work of ministry, for building up the body of Christ, until all of us come to the unity of the faith and of the knowledge of the son of God, to maturity, to the measure of the full stature of Christ. But, speaking the truth in love, we must grow up in every way into him who is our head, into Christ, from whom the whole body, joined and knit together by every ligament with which it is equipped, as each part is working properly, promotes the body’s growth in building itself up in love.

Equiping the saints for the work of ministry, growing into maturity, building up the body of Christ in love.

Now, how does Paul say that we accomplish this? Further on in the chapter he tells us:

You were taught to put away your former way of life, your old self, corrupt and diluted by its lusts, and to be renewed in the spirit of your minds, and to clothe yourselves with the new self, created according to the likeness of God in true righteousness and holiness.

The transformation of the whole self according to the mind of Christ. The renewing of the spirit of our minds, and clothing ourselves with the new self. Paul is talking about a fundamental transformation here. He’s talking about a fundamental shift with the way that we perceive, interpret, and interact with the world.

However you fell about postmodernism, one of the things that it has brought to our attention is that human beings, as complex reasoning, thinking beings, simply cannot have a direct and unmediated experience of reality. There is no pure, objective, unfiltered, experience of the real. Instead, we have a lens, a layer, a model of interpretation that helps us make sense of our direct inputs and that help us conceptual make sense of what we experience.   Instead our cultures and our languages give us a prearranged system for how to comprehend things and how to fit things together. From the very ways that our mother tongue’s grammar is constructed—the very fact of breaking things into verbs, and nouns, and adjectives and the way that they relate to one another—shapes the way that we conceptualize what we encounter. For instance, the fact that a language has no grammatical future tense matters profoundly when we talk about how people from that frame of reference understand time. It’s not just that our experiences shape our languages; it’s that our languages shape what we experience and how we make sense of those experiences. This is our worldview. So, a worldview is a lens of interpretation that helps us make sense of the world. It’s an understanding of how things fit together that gives us a frame of reference for making sense of our experiences and encounters and relationships.

Now when we take this postmodern concept of a worldview, and we put it up alongside Paul’s language about the renewal of our minds, and putting on the new self in Christ, then we begin to realize that we’re entering familiar territory. One way of understanding what Paul is talking about here is that the goal of Christian maturity is inhabiting a fundamentally Christian worldview. Growth into maturity in Christ is a process of learning to perceive the world through the lens of the gospel. Through the transformation of the mind, worldly values are supplanted by gospel values, worldly priorities are challenged by God’s priorities.

In 1984 the Lutheran medievalist George Lindbeck wrote a short little book called The Nature of Doctrine. And in this book he makes the suggestion that faith and doctrine make a lot more sense when we come at them from the right angle. Instead of thinking about the faith as transmitting a set of thoughts that have to be properly thought, we need to start conceiving of the faith as a linguistic-cultural system. Just as our culture enculturates us into a worldview formed by things like our language and our deep cultural symbols, the Christian faith is best understood as a culture and a language that connect the dots to help us understand the relationships between God, the world, and ourselves.

What makes this both interesting and challenging is that we can’t even talk about “a” worldview. Instead, we have to talk about a variety of worldviews or parts of worldviews that press themselves upon us that we have to fit together in some way that seems to make sense. Even this central lens for how we see and experience things is composite construct of a bunch of direct ways of conceiving of and valuing the world. So—a “traditional American” worldview might tell us that family is important; and that in thinking about our decisions and priorities, family should be most important. We’re fed status-oriented worldviews that tell us that what is most important is how important we are, what our title is and the size of our take-home package. Advertisements feed us a consumerist worldview telling us that our worth is equivalent to what we have and that if we have less, we’re worth-less.

To all of these messages, the Gospel offers a word of challenge and critique. Trying to figure our way through incarnate life is hard, but the call of the Gospel is the call to transform how we see, experience, and value things. What does it mean to take seriously the call to the love of God and love of neighbor? “The old self” is Paul’s shorthand for those old ways of making sense of what’s really important, the lusts that we must suppress are much less about sex and much more about our needs and insecurities for those things like money, or status, or safety, that ultimately will not and cannot give us life. As we put on the new self into which we are baptized, we are challenged to revolutionize our experience of the world, to see as God sees, to love as God loves.

Rather than a collection of doctrinal thinking points, Lindbeck’s understanding of the faith as a linguistic-cultural endeavor most clearly engages with this notion of forming a Christian worldview within the body of Christ in order to bring the body to the maturity of Christ. Now, we are formed in many ways in many places, and at many times. However, as Christians who find our primary identity in our baptism, as members of the crucified and risen Christ, and branches of the same vine, our most important and paradigmatic experiences occur when we are together. You can’t be a Christian by yourself! Furthermore, our fullest identity is found when we gather for Eucharistic worship. In the Eucharist, the disparate and scattered members of the body of Christ are held together, are re-membered, forming a physical and literal body of Christ; in the Eucharist, we are most fully who we are baptized to be in community– and participate most deeply in the mystery and promise of baptism. Within our Eucharistic worship, we are given the extraordinary opportunity to participate within the interior life of the Trinity: as the body of Christ we join with Christ in his praise of and self-offering to the Father through the Holy Spirit. What we do in worship is not just to gather together as a community, it’s not just to praise God together, it’s not just to express our identity as the gathered body of Christ, it is to make present an eschatological reality where we foreshadow the full consummation of all in all. This is our moment when we enact most clearly what the kingdom of God is.

Our corporate worship is an icon of the kingdom of God. It’s not just a moment of supreme realization, it’s also practice of our most important paradigm. Our whole life ought to be an act of worship. And, if that’s the case, it’s this glimpse of the kingdom in our worship that gives us the fundamental tools for enacting that kingdom when we’re outside of worship too.

As a result, it’s in this most central experience for us, that the full Christian worldview is best expressed and communicated. The way that worship is constructed and conducted is a presentation of our perspective of what being in the kingdom is like and shall be like. As a result, what we do in worship matters. What we see, what we hear, what we smell, what we do, shapes our understanding of what it means to be a Christian people. The Book of Common Prayer gives us the words. But ceremonial is what gives us the rest.

No matter what else goes on, the first purpose of worship is always just that; our primary priority in worship is always the worship of God. We err when we let anything get in the way of that. Our secondary purpose in worship is the formation of the people of God. Fortunately, these two priorities rarely come into conflict with one another as long as we have the order right. When our worship becomes overly didactic or overly self-congratulatory or overly penitential, this is when we need to ask if we have our priorities reversed. Proper, reverent, intentional worship of God is always primary. Having said that upfront, we can turn now to the questions and issues of formation.

We have a gift in the Book of Common Prayer. It gives us the words and the rites which foreground the values of the kingdom. Our liturgy, standing in continuity the liturgy of the historic Western church, has been crafted carefully for its formative role as well as its central doxological role. What exactly do I mean by this? Perhaps one of the clearest indicators of what we mean by the liturgical transformation of our system of values is the repetition of the song of Zechariah in morning prayer and the repetition of the song of Mary in evening prayer. Zechariah’s words give us a fundamental mission by informing us of God’s gifts. God has given us the freedom “to worship him without fear” and therefore to remain “holy and righteous in his sight all the days of our life.” Mary’s words give us a fundamental mission by informing us of the value structure of God’s kingdom.

He has mercy on those who fear him in every generation. He has shown the strength of his arm, he has scattered the proud in their conceit. He has cast down the mighty from their thrones and has lifted up the lowly. He has filled the hungry with good things and the rich he has sent away empty.

Our Eucharistic service with its dual emphases on proclamation of the word and a celebration of the sacrament in combination offer the mystery of God’s presence in our midst. But there’s more to worship than just the words!

Whether we are conscious of it or not, whether we intended or not, our decisions about what else occurs in worship inform our congregations about the value structures and systems of the kingdom of God. As a result, we do our ministry best and we attend to a careful and deliberate proclamation of the gospel best, when we are intentional about the ways we worship and the vision of the kingdom that we incarnate there. And this is where careful attention to ceremonial comes into play.

So – that’s my first point. Christian ministry is fundamentally about enculturating the people of God into a worldview. The Christian worldview is a vision of the world and its relationships that are structured by God’s values. Because of the central role that worship plays in our corporate identity, worship in general and Eucharistic worship in particular, likewise occupy the central role in how our communities receive and perceive the gospel of the living God.

Now, whenever I start thinking and talking about Christian ceremonial, one of my favorite conversation partners is the Rev. Dr. Percy Dearmer. Dr. Dearmer wrote quite a lot on worship and ceremonial. And always wrote with a considerable amount of vigor and conviction. I don’t agree with everything that he wrote, but I always find him thought-provoking. Although his writings come from almost a century ago, much of it remains relevant and pertinent, partly because he stands removed from some of the immediate issues of our day. In the year 1919, Dr. Dearmer gave the Bohlen Lectures at the Philadelphia Divinity School. The next year these lectures along with some additional chapters, were produced as the art of public worship. At its heart, this book is a heartfelt plea for two key necessities in Christian worship. The first is realism. Worship has to be meaningful and sensible to the people of its age. The second is beauty.

Dearmer is known for being very direct. He doesn’t pull any punches. And one of the targets of his special ire in this book, are the founders of the Church Revival movement. He writes in particular of their approach towards ceremonial:

in our own Church Revival nothing made the ritualist (as they were rather absurdly called) so angry as to be told that they like things because they were pretty, or revived old customs because they were beautiful. We could hardly sum up that instinctive dislike of beauty better than in such unconscious sentences as these of the judicious historian of The Anglican Revival Dr. Overton: [and here Dearmer cites a passage from Overton]

The real question at issue between the most thoughtful on both sides was not one of ceremonial, but of doctrine. Ritual, apart from its symbolism, is a thing of nought. It was valued by the really earnest man, not for its intrinsic beauty, but for what it taught – taught through the eye rather than through the ear, and therefore, on the Horatian principal, taught more quickly and vividly, and that especially for the poor and unlearned. [end of his quote from Overton, and Dearmer continues…]

Precisely! Nothing could be more clearly put, and this was the defense consistently made.

This infuriated Dearmer! In fact, he saw it as nothing less than of the betrayal of the identity of God. In his theology, Dearmer understood God to be the very height of truth, goodness, and beauty. He writes:

Beauty is the manifestation of the Father; and this is precisely what modern Christianity has forgotten. Goodness is also the manifestation of God – the will to goodness is the Holy Spirit; but it is not the sole manifestation, as good people have imagined; for there is yet a third which the Word reveals, and that is truth. Within these three all religion is contained – must be contained.

Dearmer refers us to the wonders of creation, to the beauty inherent in the created order. He reminds us that art is not merely decoration and instead, the search for beauty is tied deeply into the search for truth and goodness. The arts of ministry—preaching, singing, architecture—are arts, Dearmer reminds us. We can either do them well or we can do them poorly; we can either choose beauty or we can settle for whatever comes out. However, should we choose to settle for whatever comes out, we are compromising the spirit of the God who created all things wonderfully.

Dearmer doesn’t come out and say this, but in his argument for the importance of beauty in worship, he is tapping into one of the deep themes of Western philosophy. Ever since Plato’s Symposium, thinkers have recognized the interrelation between beauty, goodness, and truth. Diotima’s speech to Socrates presents a pathway beginning with a human love of beauty that reaches to a divine love of the good enacted through the virtues. The wise woman of Athens presented a pattern that has informed philosophers, theologians, and mystics for generations and, as heirs of that company, we would do well to heed her words.

Beauty, then, should be a key concern as we craft our worship. Not simply an external or an add-on, beauty is part of our central witness to who God is and to what God is like. From the most minute details of creation we can discern that God cares for beauty, and that beauty through symmetry leads us into a deeper quest for other spiritual goods.

I have to confess, that in his critique of the church revival movement, Dearmer is likewise critiquing me. I, too, am guilty of backgrounding beauty in order to foreground doctrine. And I accept his critique. On the other hand, I have two critiques of my own to offer Dearmer’s words.

The first is to note that the situation has changed. In Dearmer’s day, his struggle was the acceptance of beauty at all. The Evangelical party was in ascendance, and the Broad Church party followed them in matters of vestiture and ceremonial. Our situation in the modern Episcopal Church is a little bit different. In our context, the Broad Church party has widely adopted a plentitude of colorful vestments. However, this ecclesiastical fashion statement may occur within a void; in some cases there seems to be no recognition that these beautiful things have any import beyond their beauty. If Dearmer’s struggle with the Church Revival was that they attended to doctrine with little concern for beauty, our struggle may well be an attention to beauty with little concern for doctrine. Dearmer rightly reminds us, however, that in such cases at least the beauty is present, and witnesses silently to the glories of God.

My second critique of Dearmer is a little more substantive. I see great value in his Trinity of characteristics of God: truth and goodness and beauty. However, I believe that one of these lacks a certain precision. And I’m looking at you, beauty. Beauty is an aesthetic experience and while I agree that beauty is intrinsic to God, I believe that there is another aesthetic category that more truly and properly leads us to the heart of God.

Before I go there, let me pause and restate my second point. Following Dearmer, I too see beauty as an essential witness to the identity of God. Beauty is not an add-on or an accessory to Christian worship. Rather, it needs to be an intentional and intrinsic part of what we do when we worship. We need to look for and craft beauty into our liturgies and our ceremonies, not as an extra, but as part and parcel of our proclamation of the gospel truth. That’s point 2.

Right around the same time that Dearmer was giving his Bohlen lecture, a German theologian and student of comparative religion was also working on a book. The name of this book was Das Heilige and it would be translated into English as the Idea of the Holy. The year was 1917 and the author was Rudolf Otto. One of the issues that was directly confronting Otto was rationalism. Liberal theology was in the ascendance and thanks to Ritschel and his students the proclamation of the Christian faith was in danger of being reduced to nothing more than “morality touched with emotion.” Otto pushed back against this tendency. Not that he wasn’t a rationalist himself, but he was able to realize that a purely rational religion is missing something fundamental. Instead, he argued that religion in general and Christianity in particular must hold together both rational and nonrational elements. The subject of his book, was the nonrational aspect.

Otto begins with the word “holy” but immediately turns around and states that the modern meaning has suffered semantic drift. That is, the word no longer means what it used to; it has acquired, through familiarity, a slightly different meaning than its original referent. It is this original referent that he tries to find. The word holy has acquired too much of an ethical sense. Conventionally, the term “holy” refers to a high standard of behavior. Holiness is how someone acts. What Otto argues is that there was a more primary and original meaning that lacks the ethical element which now predominates in the word. Instead of trying to reset our understanding of the word holy, Otto chooses to give us a new word, a word that is capable of recapturing the original meaning of holy. Thus he coins the word “numinous”.

This is a brand-new word, having at its basis the Latin word numen which in classical Latin means God or divinity or divine will. It sounds kind of like “luminous” and kind of like “ominous”, and in truth has something in common with both. The numinous for Otto, is an objective characteristic – it’s a special something that a being possesses – that can be recognized because of the subjective feeling it evokes in those who experience it. A key point here is that Otto is not talking about a feeling, he’s talking about thing that causes a feeling.

In his book, Otto works through the characteristics of the numinous by means of a brief Latin phrase: mysterium tremendum et fascinans. I don’t think that I need to go through everything that he says but a brief thought or two on each of these words may prove helpful.

First, mysterium. For him, this is what Karl Barth calls the “Wholly Other,” the Entirely Other. This is the recognition that we are in the presence of something that goes beyond our everyday existence and frames of reference. Second, tremendum. This has three basic aspects to it. The word tremendum comes from the Latin base tremor meaning fear, but not quite the same fear as being afraid. English has the word “awe” that used to lay at the heart of our words awful and awesome which hit closer to his meaning then fear. It’s the awe of awesome used properly that Otto is trying to point us to. Tremendum also contains a majesty, an overpoweringness that is the experience of being in the presence of immensity. It is a fullness of power and being. Tremendum also contains an energy, urgency, and vitality. This is not something dead or static, but living, moving, and active.

As a brief aside – one of the reasons that I love the horror author H. P. Lovecraft, is that he so faithfully evokes in the depiction of his horrific elder gods like Cthulu the mysterium tremendum. This sense of divinity quite apart from any ethical quality. In fact, his creations are actually either amoral or immoral, but in these descriptions he is able to capture and convey what Otto means by the numinous better than any other author I know.

Where Otto goes in a different direction from Lovecraft, is with that second descriptor fascinans. Otto doesn’t just stop at tremendum. Where Lovecraft’s elder gods are often described as repellent, Otto uses fascinans for that characteristic of the divine that draws us to itself. This is the attraction; wonder and rapture are all connected to this fascinans. Feelings of love and grace and compassion and mercy are mingled together with the elements of the mysterious and tremendous; there is that which pushes us away by means of its grandeur and its immensity, but at the same time we are impelled towards it by awe and wonder.

Yesterday, Mother Takacs’s presentation did a wonderful job of teasing out some of the particular aspects that Otto specifically points to. As we listened to the different interpretations of the Sanctus, you could almost pick out where certain ones championed certain aspects. Just sitting there listening to those, Byrd’s Sanctus gave such a feeling of mysterium. With the upward spiraling notes on “sanctus” itself, it literally lifts your consciousness to a different place and points to the transcendent. There’s no doubt that the Macmillan Sanctus was tremendum. It really did convey that sense of a vital immensity before which your best option is full prostration. And the warmth of the Faure and the adoration of the Palestrina gave us the fascinans.

Thus, Otto uses the word numinous to capture this aspect of God which we can identify and relate to by means of this feeling that experiencing it creates within us.

If we back up a second, we notice that Otto, while being a modern rationalist in a philosophical sense, is actually conducting a wildly postmodern exercise here. In essence, Otto is confirming exactly what Lindbeck is arguing. Otto is creating a new piece of language that, by its creation, enables us to have a discrete kind of experience. He introduces a new linguistic phenomenon that helps us to better comprehend the Triune Being at the heart of our gospel proclamation.

Now, what does our identification of the numinous add to our discussion of Christian worship? I would argue that much of our ritual action grows out of prescribing direction for the human encounter with the numinous. As we look through the holy Scriptures, we can identify certain times and places that are indelibly marked by a numinous character. It is almost impossible to read the sixth chapter of Isaiah, and not understand what we mean by the numinous.

There are also some descriptions of the numinous in the Old Testament where the mysterium tremendum definitely outweighs the mysterium fascinans. When the cloud with its lightnings overshadows the top of Mount Sinai, we see the numinous aspect; when we hear the warning that any person or animal who touches the mountain must die, we are confronted by the tremendum. When the ark of the covenant is carried around the walls of Jericho leading to their collapse, we see the numinous aspect of that artifact gained by its relation to the divine; when in the sixth chapter of second Samuel the ark of the covenant strikes Uzzah dead because he reached up a hand to steady it, we are confronted by the tremendum. In the original descriptions of the garments of the priesthood in Exodus, Scripture tells us that the vestments – beautiful as they may be – are not for the sake of adornment but for the protection of the priests. Chapter 28 tells us twice with the priest must wear them lest they die. The numinous is holy, but this does not mean that it is safe. Holiness, as understood by the Scriptures, is a vital and tangible power – like an electric current. It may provide unfathomable energy, or it can kill.

So, what specifically does the numinous have to do with Christian worship? Can we, should we expect a manifestation of the numinous at every Christian worship? Well, no. We can expect it, but that doesn’t mean it’s going to happen. The numinous is not something that we can control; it’s an aspect of God. We don’t control God. What we want to do, though, is everything in our power not to hinder the potential for the congregation to experience the presence of God. We believe that God is omnipresent; God is everywhere. But most of us lack the faculties to experience the immediate presence of God on a regular basis. Worship well-crafted offers an opportunity par excellence for us to experience the face of God. Otto does well to remind us that the numinous is not a subjective emotion that we can manipulate. We cannot manipulate the presence of God. It’s when we try to manipulate that we most fully betray our primary purpose; manipulation cannot be praise. But prayerful worship can make us more receptive to the God who is already within our midst.

Furthermore, our tradition recognizes specific vessels of the numinous. That is, there are specific objects and places within our liturgies where we recognize the presence of God and the possibility of the numinous to be particularly potent. The sacrament of the altar, the altar itself, the cross, even—to a degree—the congregation are all places where the liturgy recognizes that we have the potential to encounter the numinous.

So, that is my third point. When we consider the central characteristics of God, we should consider God to be the height of truth, goodness, and the numinous. The numinous is the otherworldly sacral energy which both frightens us and draws us into the presence of a vital, vibrant God. And it is this last element that has such a defining effect upon Christian ceremonial.

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From these three theoreticals: the faith as worldview, our central communication of the worldview in worship; the importance of beauty in worship; and the importance of our recognition of the numinous as central to understanding God, we can begin to make a turn to the practical. There are a lot of different directions that we could go in at this point; unfortunately being limited by time, we’ll only get to go in a few of them. I’m going to make two points as suggestions, as fruitful avenues for approach. We can’t go down them all the way, but I can at least show you where they are.

First off, in light of these principles, I think it’s useful to revisit some of the old arguments, and see where and how they make sense now. One of these is environment. When we come at the question of environment and the vestments by way of a worldview, and worldview as a way of proclaiming and enculturating the kingdom of God, we can see what we do and what the other choices are, in a new light. So for the sake of argument, let’s consider two options next one another. On one hand we have a stereotypical Anglo-Catholic setting and service; on the other hand we have a stereotypical evangelical mega-church setting and service. (My goal here isn’t to put down either one of them—it’s to draw some very big-brush comparisons…)

Our overall impression of the Anglo-Catholic service is that we are encountering things that are initially unfamiliar. In comparison with other buildings, the Gothic church has an odd shape and layout. The ministers are wearing strange clothes. The place is outfitted with crucifixes and candles and thuribles and a bunch of other things you normally only find in a goth shop. The music is played on old instruments. The language and terminology may be unfamiliar; the internal logic of the rite isn’t similar to other meetings were used to experiencing. By way of contrast, the evangelical mega-church does everything it can to feel familiar. The room looks like it may well be a regular auditorium with stadium style seating and potted plants. The ministers are dressed in street clothes and tattoos. They’ve got guitars and a drum kit. Both the language and internal logic of the rite are what you might find in a typical pop concert.

Now – what do these two environments communicate about the worldview that they are expressing? About the proclamation of the gospel in relation to the modern secular culture? The way I read it, the Anglo-Catholic service is foregrounding a theology of the transcendent. The environment is fundamentally and intentionally discontinuous from contemporary culture. The message is that the values and world of the gospel are likewise discontinuous from our everyday secular world. A transformation is required in order to cleave to the mind of Christ. To me, it’s a visual reminder of Isaiah’s words: my ways are not your ways, my thoughts are not your thoughts. Some people will tell us that we’re not being accessible. That’s not how I’d frame it. I’d rather say that we’re bearing witness to a mystery, and inviting people to come and learn about that mystery with us.

The way I read the evangelical mega-church environment, it foregrounds a theology of immanence. This environment is fundamentally continuous with contemporary culture – but with a twist. The message is that the values and world of the gospel can be seen from here, we just may not be there yet. A tweak is what’s needed. To me, it’s a reminder that God is in our very midst. This is accessible, it’s a kissing cousin with modern culture—but my concern is, where and how is the line being drawn? Where is the Gospel demand to something new, something radical?

Now, this is not to say that either one of them have a lock on transcendence or immanence. It’s a matter of emphasis, but also a legitimate difference of theology. We have chosen a different way.

Coming from the perspective of a worldview, understanding our church environment as a culture that is different from but in relation to the secular culture helps us frame some of our arguments in new ways. At one very simple level, you’re either doing things in line with contemporary secular culture, or you’re not. Take, for example, the classic vestments debate. If you’ve been anywhere around liturgical discussions in the church, then at some point or other you’ve no doubt heard one or more arguments about the place and nature of vestments. Should clergy wear street clothes, whether formal or not, or they should wear some sort of sacred vestiture. Personally, I see this as one of the – literally – most visible representations of the relationship between church culture and secular culture. I mean, it’s one of the first things I see and notice about a service after the building.

Especially since Vatican II and the liturgical renewal movement, there is been renewed interest in this discussion, especially as it relates to the fourth century, the 14th century, and the 17th century. As a result, you’ll hear people making arguments that we ought to be wearing fourth century street clothes instead of 14th century dress clothes, or 17th century church clothes. Because, “the fourth century is closer to the original; it’s a return to our origins”. From my perspective, this argument doesn’t make a whole lot of sense. The street clothes question is a modern one: you are either wearing “normal” clothes, or you’re wearing “weird” clothes. Justifying weird clothes by insisting that they are historical street clothes misses the point! The street clothes ship has already sailed. You’ve already made the decision to look outwardly like the current culture, or you’ve made the decision to outwardly not look like the current culture. If the decision has been made to not look like the current culture, then other questions of aesthetics and simplicity versus ornamentation should come into play. Choosing to model yourself upon a particular century is a theological position, but it’s separate from the street clothes position.

So, seeing the construction of our religious culture as a deliberate response to our surrounding culture has important implications for the ways we proclaim the gospel and for what that gospel means. Classic Anglo-Catholic patterns suggest that God and God’s ways are something that have an identity and integrity. We are called to shape ourselves to fit the liturgy .If we try to do things the other way round, we risk missing or mistaking something very important.

We do have to be sensitivity to questions of accessibility. We do have to do everything in our power to assist the strangers and the newcomers to share in our vision of the kingdom. But is there only one way to do that? Do we welcome them as we were welcomed if our means of doing it is to offer them a diminished vision?

 

To head off in a different direction now, I’d like to return to the notion of the numinous and how our church culture relates itself to it. Let’s think about customaries for a moment. The customary is, at its simplest, the set of stage directions for who does what when. I tend to encounter customaries either as written documents, or sets of verbal instructions that I make into written documents. This way of looking at them and thinking about them is very linear. First we do this, then we do that, then we genuflect, then we stand up, then we head up the stairs and kiss the altar, and so on and so forth. It’s one thing then another thing than another thing. Learning a customary, I find myself ticking items off in my head as I go, and sometimes wondering if I forgot a genuflection, or a nod, or some other such thing.

What would happen if we changed our whole paradigm? What would happened if we were able to break out of list mode altogether?

The majority of liturgical actions performed by the congregation and the altar party in a Eucharist can be broken down by considering three questions:

  • How do we signify what is holy – that which has the capacity to contain and transmit the numinous?
  • How do we behave towards God in the presence of the holy—what are the gestures of respect that we use towards vessels of the numinous?
  • How do we behave towards one another in the presence of the holy—what are the gestures of respect that we use towards one another as we recognize one another as fellow creatures in the image of God and beloved of God?

What we took the list of what a certain person does, and we asked it this question: how does this set of actions and gestures line out for us a geography of the sacred? Liturgical actions and gestures tend to have triggers—they tend to be in response to moving to or through certain places, or when we hear or say certain words… What are the triggers? How do they define space as that participant moves through the physical space. What places and times are we identifying as particular potential for the presence of the numinous? How do our gestures or actions show respect to that numinous potential? If we were to look across all of the lists for a given altar party, do they all describe the same geography?

You know how these lists tend to be compiled—an idiosyncratic server may have picked up certain things from a certain former parish, or perhaps a past rector has left a strong stamp on the liturgy that is observed by some and not the others. Is there an internal consistency to the sacred geographies described by the different lists? To what degree has the congregation picked up on these geographies and participate within them?

Does our ceremonial send mixed messages about who and what we are and about how we act and react in the presence of the numinous? Is there a logic and a coherence to our proclamation that gives a vision for how we behave in the face of the numinous yet does not oversimply, dumb-down or otherwise squelch the rich and diverse ways that we experience and react to God in our midst?

When we start asking questions about sacred geography some practices make instinctive sense. I’m about to enter the nave—it’s a holy place. Perhaps a bit of purification might be nice—oh, look a holy water basin so that, as I cross myself with water, I remember the holiness infused within me at my Baptism…  What aspects of sacred geography are immediately obvious? What aspects are things that we have a responsibility to share with our congregations, place where we have an important teaching role in connecting the dots? What aspects are best left as mysteries to be experienced rather than problems to be explained?

Good ceremonial can do a lot. Good ceremonial can communicate a lot on its own about the vision of the kingdom of God that we are seeking to enculturate. But it can’t do it all. You have an obligation to name the values, to identify the practices, to proclaim with words what the liturgy teaches with deeds. At the end of the day, how we encounter the numinous within the liturgy, presents a paradigm for how we encounter the numinous outside the liturgy. It teaches what to look for, what to feel for, and the clues for recognize the sacred presence in things expected and unexpected.

That’s my final point: It’s not enough to be intentional about the way we design things. It’s not enough to be intentional about how we construct the environments of our liturgies. We have to connect the dots. We have to make sure that our messages and meanings about the gospel, the holy, are sinking in. Let me end by giving you two little exercises you can do at home to see how things are going:

First – it’s worth taking a look to see how your servers, your altar guild, yourself, and other folks treat the vessels after the services are over. Do they treat them like sacred things worthy of respect, or do they handle them carelessly, like something to be tossed around? It’s one thing to treat them with reverence during the service, when everyone’s watching, but what happens when it’s over?

Second – it’s worth taking a look to see how your servers, your altar guild, yourself, and other folks treat the people at coffee hour. Do they treat them like sacred things worthy of respect, or do they handle them carelessly, like something to be tossed around? The difference between the two is clear: the vessels no longer have the blessed sacrament within them. The people at coffee hour – do.

Scripture and Worship: Some Thoughts

Ponder with me a moment one of the less-read sections of the Scriptures, Exodus 28:

Exodus 28:1-43  Exodus 28:1 Then bring near to you your brother Aaron, and his sons with him, from among the Israelites, to serve me as priests– Aaron and Aaron’s sons, Nadab and Abihu, Eleazar and Ithamar.  2 You shall make sacred vestments for the glorious adornment of your brother Aaron.  3 And you shall speak to all who have ability, whom I have endowed with skill, that they make Aaron’s vestments to consecrate him for my priesthood.  4 These are the vestments that they shall make: a breastpiece, an ephod, a robe, a checkered tunic, a turban, and a sash. When they make these sacred vestments for your brother Aaron and his sons to serve me as priests,  5 they shall use gold, blue, purple, and crimson yarns, and fine linen.  6 They shall make the ephod of gold, of blue, purple, and crimson yarns, and of fine twisted linen, skillfully worked.  7 It shall have two shoulder-pieces attached to its two edges, so that it may be joined together.  8 The decorated band on it shall be of the same workmanship and materials, of gold, of blue, purple, and crimson yarns, and of fine twisted linen.  9 You shall take two onyx stones, and engrave on them the names of the sons of Israel,  10 six of their names on the one stone, and the names of the remaining six on the other stone, in the order of their birth.  11 As a gem-cutter engraves signets, so you shall engrave the two stones with the names of the sons of Israel; you shall mount them in settings of gold filigree.  12 You shall set the two stones on the shoulder-pieces of the ephod, as stones of remembrance for the sons of Israel; and Aaron shall bear their names before the LORD on his two shoulders for remembrance.  13 You shall make settings of gold filigree,  14 and two chains of pure gold, twisted like cords; and you shall attach the corded chains to the settings.  15 You shall make a breastpiece of judgment, in skilled work; you shall make it in the style of the ephod; of gold, of blue and purple and crimson yarns, and of fine twisted linen you shall make it.  16 It shall be square and doubled, a span in length and a span in width.  17 You shall set in it four rows of stones. A row of carnelian, chrysolite, and emerald shall be the first row;  18 and the second row a turquoise, a sapphire and a moonstone;  19 and the third row a jacinth, an agate, and an amethyst;  20 and the fourth row a beryl, an onyx, and a jasper; they shall be set in gold filigree.  21 There shall be twelve stones with names corresponding to the names of the sons of Israel; they shall be like signets, each engraved with its name, for the twelve tribes.  22 You shall make for the breastpiece chains of pure gold, twisted like cords;  23 and you shall make for the breastpiece two rings of gold, and put the two rings on the two edges of the breastpiece.  24 You shall put the two cords of gold in the two rings at the edges of the breastpiece;  25 the two ends of the two cords you shall attach to the two settings, and so attach it in front to the shoulder-pieces of the ephod.  26 You shall make two rings of gold, and put them at the two ends of the breastpiece, on its inside edge next to the ephod.  27 You shall make two rings of gold, and attach them in front to the lower part of the two shoulder-pieces of the ephod, at its joining above the decorated band of the ephod.  28 The breastpiece shall be bound by its rings to the rings of the ephod with a blue cord, so that it may lie on the decorated band of the ephod, and so that the breastpiece shall not come loose from the ephod.  29 So Aaron shall bear the names of the sons of Israel in the breastpiece of judgment on his heart when he goes into the holy place, for a continual remembrance before the LORD.  30 In the breastpiece of judgment you shall put the Urim and the Thummim, and they shall be on Aaron’s heart when he goes in before the LORD; thus Aaron shall bear the judgment of the Israelites on his heart before the LORD continually.  31 You shall make the robe of the ephod all of blue.  32 It shall have an opening for the head in the middle of it, with a woven binding around the opening, like the opening in a coat of mail, so that it may not be torn.  33 On its lower hem you shall make pomegranates of blue, purple, and crimson yarns, all around the lower hem, with bells of gold between them all around–  34 a golden bell and a pomegranate alternating all around the lower hem of the robe.  35 Aaron shall wear it when he ministers, and its sound shall be heard when he goes into the holy place before the LORD, and when he comes out, so that he may not die.  36 You shall make a rosette of pure gold, and engrave on it, like the engraving of a signet, “Holy to the LORD.”  37 You shall fasten it on the turban with a blue cord; it shall be on the front of the turban.  38 It shall be on Aaron’s forehead, and Aaron shall take on himself any guilt incurred in the holy offering that the Israelites consecrate as their sacred donations; it shall always be on his forehead, in order that they may find favor before the LORD.  39 You shall make the checkered tunic of fine linen, and you shall make a turban of fine linen, and you shall make a sash embroidered with needlework.  40 For Aaron’s sons you shall make tunics and sashes and headdresses; you shall make them for their glorious adornment.  41 You shall put them on your brother Aaron, and on his sons with him, and shall anoint them and ordain them and consecrate them, so that they may serve me as priests.  42 You shall make for them linen undergarments to cover their naked flesh; they shall reach from the hips to the thighs;  43 Aaron and his sons shall wear them when they go into the tent of meeting, or when they come near the altar to minister in the holy place; or they will bring guilt on themselves and die. This shall be a perpetual ordinance for him and for his descendants after him.

Quick question: does this get-up strike anyone as being normal street-clothes of the time? That is, do you think your average Israelite guy would get up in the morning, go over to his closet and say to himself, “Hmmm. Which ephod should I wear today—the emerald or the sapphire one? Well, I do have that big meeting with the Moabites; better make it the emerald one…”

Two specific points to draw out:

  • The priestly status of Aaron and his sons are bound with wearing the clothing. (“…they make Aaron’s vestments to consecrate him for my priesthood…” and “You shall put [the vestments] on your brother Aaron, and on his sons with him, and shall anoint them and ordain them and consecrate them, so that they may serve me as priests.”)
  • The survival of Aaron and his sons as they go about their service are bound with wearing the clothing. (“Aaron shall wear it when he ministers, and its sound shall be heard when he goes into the holy place before the LORD, and when he comes out, so that he may not die.” and “Aaron and his sons shall wear them [unclear–does this refer to the last mentioned piece of clothing (the undergarments) or the whole outfit?] when they go into the tent of meeting, or when they come near the altar to minister in the holy place; or they will bring guilt on themselves and die. “

According to the biblical text, these aren’t just pretty clothes—this is safety gear to ensure that Aaron and his sons make it out of the presence of the Lord alive.

In the Hebrew Bible, worship is intimately related to encountering the holiness of God and its potentially lethal consequences. Not only can worshiping the wrong way (Numbers 16) or wearing the wrong clothes at worship (see above) get you killed, merely touching holy things even for a good purpose can get you killed too:

2 Samuel 6:6-7  When they came to the threshing floor of Nacon, Uzzah reached out his hand to the ark of God and took hold of it, for the oxen shook it.  7 The anger of the LORD was kindled against Uzzah; and God struck him there because he reached out his hand to the ark; and he died there beside the ark of God.

The biblical text contains a strong sense of holiness as a tangible power—a potentially deadly power. As has been written here before, early medieval Christianity also nurtured a strong sense of holiness as tangible power no doubt drawn from these biblical texts.

What do we do with it? I think most often we dismiss these narratives and write them off as either 1) primitive perspectives reflecting a view of God we don’t believe in any more , or 2) manipulative texts written by a privileged group who use tales of divine punishment as a means of bolstering their own hegemony.

Are those the only two options? Should we expect more from our encounters with holiness?

Random Thought on Customaries

I had a random thought this morning at Mass concerning customaries (you know, the list of what a body does when during the service…).

Most customaries come at things from the “descriptive” perspective. That is, they list out what you see the person doing: “Walk from here to there in such a way. Genuflect. Then stand in that place…” In the past when I’ve worked on memorizing a new customary, one of the harder parts was remembering when to throw in various gestures or movements like genuflections, bowings, crossings, etc.

What tends to make this more difficult is that a lot of customaries were created in a descriptive fashion. That is, there was a way that things had “always” been done and in order to keep it that way and to train the newbies, someone wrote down a description what they did—often without reference to what the other folks on/around the altar were doing—and it became “official.”

What’s the problem with this?

Well, if the various versions for the various folks aren’t harmonized you can have different folks doing the same things at different times and, especially if they’re standing right next to each other, that can appear a bit odd… (For instance, if the deacon and the priest standing at the front side-by-side cross themselves at different times at the end of the Gloria.) The real issue, though, is that you’ve got a bigger and deeper problem if you having different folks doing the same things for different reasons.

From my perspective, ceremonial actions shouldn’t happen at random or happenstance; they should have specific “triggers.” The three key triggers that fire-off or initiate a ceremonial action should either be words, motion to or through a place, or an object.

If you look at a good descriptive customary, you should start to see patterns, an internal logic, that will lead you to prescriptive principles about when and why certain things are done. I.e., genuflect when entering or exiting the sanctuary (the space enclosed by the altar rail or rood screen), profound bow at mention of the three persons of the Trinity, and so forth.

Here’s the thing, though: if we start laying out the prescriptive principles, that’s when we start getting into the hard work of liturgical thinking. When we start laying out the prescriptive principles, we realize that we’re starting to bring to a conscious level a practical theology of the holy. That is,  ritual gestures are triggered when we hear holy words, when enter or leave holy space, or engage holy objects. If our prescriptive principles are clear and coherent then they inform us—or challenge us—to think about what we think about the nature of the sacred: what is holy and what is profane, how we show respect for the holy, how the holy is kept distinct from the profane.  Simple reflection on what things shouldn’t been done or brought into what parts of the church, how the altarware should be handled both in and out of the service (is there a difference? should there be?) has the potential to run us into some complicated spiritual and theological reflection about our beliefs on the imminence and transcendence of God, about how we think about orders of ministry, and such.

Is the nave of the church an innately more holy space than the narthex? Is the sanctuary inherently more holy than the nave? Who can handle the altarware and does what they wear when doing so matter?

When you get right down to it, this avenue of exploration will eventually lead us to the key root question: how does God who is fundamentally Other and distinct from creation choose to interact in and with our earthly reality—and how does that impact how we conduct our worship?

Third Annual SCP Conference

The line-up has been announced for the third annual meeting of the Episcopal Church’s Society of Catholic Priests. The presenters include the Rt. Rev. Frank Griswold, the former Presiding Bishop; the Rt. Rev. Wendell Gibbs, the current sitting bishop of Michigan; Mthr. Takacs, Associate Priest at St. Mark’s Philly and an acquaintance of M’s;—and me.

My talk on Friday morning will explore the theological meaning of liturgical ceremonial and I’m projecting that I’ll approach it from two directions. First, how do ceremonial concerns and liturgical matters fit into “real ministry”? Second, how does ceremonial communicate theology and spirituality, and how can we be intentional about what our ceremonial says and does?

As I work on the presentation, I’ll probably be posting some of my thoughts here especially as I read and react to some of my conversation partners. For those who won’t be or can’t attend the conference, I’ll likely post the presentation either here or (perhaps) at the Cafe.

Riddel Posts

One of the standard features that identifies a church sanctuary as “English Use” is the appearance of a particular feature called a riddel post. These are two posts that stand at the north and south horns of the altar and have curtains (the “riddels” from whence the name comes) that extend back to the dorsal, the curtain mounted on the back wall right above the altar.

Like many of the features that adorn the English/Sarum Uses, this wasn’t actually a distinctively English characteristic. Instead that which is “English” tends to be that which is 1) pre-Baroque and 2) common to many of the diocesan uses in England and parts of northwestern Europe, especially France.

Recall that the English Use people of the later half of the 19th an early twentieth century were arguing a position against two different opponents. On one hand, they rejected the opinion of their Romanizing Ritualist colleagues that proper “catholic” expression should mimic the aesthetic of the Roman churches of the day which were Baroque or Rococo. On the other hand, they were arguing against the Low Church party who decried any ornamentation as a form of Popery. The English Use position was that, contra both the Romanizers and the neo-Puritans, they were the only ones who were holding properly to the rubrics of the Prayer Book since they were conforming their chancels to the Ornaments Rubric of the BCP which stated that chancels and vestments should be as they were in the second year of Edward the Sixth. So, they were in essence reviving a Renaissance (perhaps even early Mannerist?) aesthetic.

What prompted this post was the new background at the Breviary. For Lent, I’ve chosen to shift away from the leaves from the Little Office of the BVM that I’ve had up and I substituted some pages from the Office of the Dead. During today’s collect my attention was somehow caught by the image of the funeral mass and I realized that the altar in the picture had a nice set of riddels and riddel posts. As a point of reference, this image was taken from the famous Très Riches Heures du Duc de Berry and is probably the work of the Dutch Limbourg brothers or someone in their workshop from around 1416. (It’s from the WikiMedia Commons and is believed to not be under copyright.)

Here’s the image. Notice two things: first, the riddels and their posts. Second, note the directions that the angels are facing atop the riddels. Normally they face outward towards the congregation whereas here they face one another. A friend and I had been discussing whether angels facing were an authentic pose and, if so, what that indicated in terms of the classical authenticity of Dearmer’s “open position” where the deacon and subdeacon face both the celebrant and one another. This image is indeed a period attestation of both inward facing angels and, presumably, the open position.

Note on the Lenten Suppression of the Te Deum

As most Anglican liturgy buffs know, one of the few changes to the classical Anglican Morning Prayer is the suppression of the Te Deum during Lent (and Advent). The rubrics of the 1549 BCP direct:

After the first Lesson shall follow Te Deum Laudamus, in English, daily throughout the year, except in Lent, all the which time, in the place of Te Deum, shall be used Benedicite omnia Opera Domini Domino, in English as followeth

This direction was suppressed in the 1552 book and the Te Deum and the Benedicite were simply both given as options with no direction as to their use.

I’ve recently discovered that there was a bit of a backlash against this practice around the turn into the 20th century on the part of the learned Anglican liturgists of the English Rite party. Vernon Staley spends a bit of time on this matter in his book on the Church Year:

We have said above, that the rubric in the First Prayer Book of 1549 is to a certain extent in accord with ancient precedent; for whilst the direction to omit Te Deum in Septuagesima and Lent was general, if not quite universal, the mediaeval custom was not to substitute Benedicite. This later canticle, considered in itself, is even more inappropriate to penitential seasons than the Te Deum; for it consists of “one unbroken song of jubilant adoration,” whilst the Te Deum has “mingled with its triumphant praise the tenderest pleadings for mercy, the acknowledgment of human weakness, and the memories of the humiliation of the ‘King of glory’ when He took upon him to deliver man.” That the Te Deum should be omitted in Septuagesima and Lent is one thing: that the Benedicite should take its place is another thing altogether. The omission of the former canticle is in accordance with sound precedent; the substitution of the latter is not: for, as we have already noted, in the Sarum rite, Te Deum was a canticle of Sunday and festival Matins; whilst Benedicite was a canticle of another service, Sunday Lauds: neither canticle was for week-day use. What is really needed is a third canticle for penitential seasons and days, and perhaps ordinary week-days, less joyous than either Te Deum or Benedicite. Neither of these latter canticles was sung or said on ordinary week-days; both having a festival character and use, in the Sarum rite. (Staley, The Liturgical Year, 74-5)

This passage may have been inspired by the tear upon which John Dowden, Bishop of Edinburgh, proceeded in his The Workmanship of the Prayer Book (1899, 2nd ed. 1902/4) from which Staley quotes. Dowden’s Appendix E is on the form and use of the Benedicite in the prayer book tradition and he presents the liberty of the 1552 and subsequent books as a very good thing in this case. Here’s the context of the quote Staley pulls:

The opportunity may be taken here of pointing out the real gain of the liberty afforded since 1552 of using either the Te Deum or the Benedicite at any time of the year as the canticle after the first lesson. . . .
A moment’s consideration makes clear that, while Benedicite is one unbroken song of jubilant adoration, the Te Deum has mingled with its triumphant praise the tenderest pleadings for mercy, the acknowledgment of human weakness, and the memories of the humiliation of the “King of glory,” when He took upon Him to deliver man. Setting aside a false antiquarianism and looking at things as they are, I think few will be found to claim Benedicite as, in itself, more suitable than Te Deum for a penitential season. The reader will remember that in the mediaeval use Benedicite was not substituted for Te Deum in the penitential seasons, but Te Deum was omitted. The rubric of the Prayer Book of 1549 is not a continuance, even in an imperfect form, of the ancient rubrical directions. If Benedicite had continued to be sung every Sunday at Morning Prayer, the omission of Te Deum would have a significance which is not attained by the substitution. In my opinion the rubric of 1549 was a lame and wholly inefficient attempt to effect a very laudable object.
It seems to me to be a matter much to be regretted that our Reformers, in their desire for simplicity, abandoned altogether, with the one exception of Benedicite, the use of the several Scriptural canticles which had a place at Lauds on successive week-days. Much more suitable than Benedicite for Lent and Advent would have been the choice, from the Sarum Lauds for Monday, of the exquisitely beautiful Song of Isaiah (xii. 1-6) with its mingled sense of sin and gratitude for God’s mercy. . . .
Should a canticle yet more marked by a penitential character and by the tearful pleadings of fear and sorrow be preferred, the Song of Hezekiah (Isa. xxxviii. 10-20), which was sung in the Sarum Lauds for Tuesday, supplies what is needed.
If the time ever comes when the Church of England will attempt to revise and further enrich her Book of Common Prayer, it is to be hoped that consideration will be given to the treasury of sacred song which lies ready to hand in the canticles for Lauds not only in the Sarum rite, but also in the great store of the Cantica of the Gothic Breviary, and in the old Paris Breviary, which is marked by a number of noble canticles drawn from the Apocrypha. (Dowden, Workmanship, 244-7)

When one turns to the Deposited English 1928 book, you’ll find in the Alternate Morning Prayer that after the Te Deum and the Benedicite comes the Miserere, Ps 51. (The Song of Isaiah referenced above is included in the American ’79 BCP, minus the first verse that gives it its major penitential punch…)

So, to recap,  the Te Deum includes language that recalls the humiliation of both God and the church as well as praise. The Benedicite is basically all praise. As such, the Te Deum seems preferable between the two. However, since the Te Deum is used as the Church’s song of joy, it does seem inappropriate for Advent and Lent and there are better options out there.

To return to the point raised by Dowden in particular—where the heck did the Benedicite come from? Let’s recall the received wisdom on the formation of Morning Prayer. That is, it’s essentially a shortened form of the old Morning Offices said in aggregation–saying Matins, Lauds, and Prime one right after the other which was a not uncommon practice particularly for secular clergy. Hatchett’s Commentary on the ’79 BCP has a table laying this out on page 92 (EP is on the facing 93). The Te Deum was used on Sundays and on Feasts of 9 Lessons; the Benedicite is the appointed Lauds canticle for Sundays. So, is this why these were chosen—Cranmer and the boys decided to use the canticles from Sunday because it was the start of the weekly cycle?

I don’t think so.

My research on the Prymers may be bearing some interesting fruit here… When you look at both the Sarum pre-Reformation prymers and the Reformed English prymers, both contain the Te Deum and the Benedicite for daily use. The Sarum Matins of the BVM uses the Te Deum everyday without regard for season, and—likewise—the Sarum Lauds of the BVM uses the Benedicite daily. In the so-called “Marshall Hours” that replace the Offices of the BVM in the Reformed books (first appearing around 1535—almost 15 years before the first BCP comes on the scene), the “Matins” office already aggregates material from Matins and Lauds and—again—contains both items for daily use. Thus, if one looked at the Marshall Hours, they contained three canticles for the morning: the Te Deum, the Benedicite, and the Benedictus. If, in following the directions of the Sarum Breviary (not the prymer), the Te Deum were to be dropped in Advent and Lent, there would be two canticles left: the Benedicite and the Benedictus. And there, I suspect is the real rationale of why the Benedicite appears as an alternative to the Te Deum. It has nothing to do with being a real replacement or substitution. Instead, there were three morning canticles that people knew in English and were used to saying in English from the prymers—and these happen to be the three that appear in the Prayer Book’s Morning Prayer.

Again, I’ll be saying more about this in coming days, but I do believe that prayer book historians would be well to give the prymers a bit more attention. I think their role in the shape of the Prayer Book offices has been significantly underplayed especially in current narratives of Prayer Book origins.